In early 1968, Kellgren and Stone began building a 12-track studio at 321 West 44th Street, creating a living room type of environment for the musicians. She divorced Revson and married Ben Johnson, a model 21 years her junior. Johnson was a former model and the second wife of Revlon founder Charles Revson. "Ancky" Revson Johnson, could start a new recording studio with a better atmosphere for creativity. Stone convinced Kellgren that the two of them, with $100,000 borrowed from Johanna C.C. Stone held an MBA from the UCLA Anderson School of Management and was employed as the national sales representative of Revlon cosmetics. Stone suggested Kellgren ask for a raise and soon he was making $1,000 per week. Stone noticed that the small studio was charging its clients $5,000 per week, but Kellgren was making $200 per week. Seeing him at work, Stone determined that Kellgren was not making full use of his genius for making recordings. Though they were "diametrically opposed" in nature (with Stone all business and Kellgren very creative), the two quickly became friends. Mutual friends thought that the two couples could talk about being parents and ease Marta's worry. In late 1967, Chris Stone was introduced to Kellgren because Kellgren's wife, Marta, was seven months pregnant and scared of the upcoming birth and Stone's wife, Gloria, had just given birth. There, Kellgren worked with artists such as the Velvet Underground, who recorded " Sunday Morning" in November 1966 Frank Zappa and Jimi Hendrix, engineering their recordings and also sweeping the floors. In 1967, Gary Kellgren was a recording engineer working at several New York City studios, including Mayfair Studios on 701 Seventh Avenue at the edge of Times Square, a drab upstairs office, a single room which held the only professional 8-track recording system in New York. 7 Selected list of albums recorded at Record Plant Sausalito (by year).6 Selected list of albums recorded at Record Plant Los Angeles (by year).5 Producers and engineers associated with Record Plant New York.4 Selected list of albums recorded at Record Plant New York (by year).3.4 Changes in ownership and management.Stone later said of Kellgren, "He single-handedly was responsible for changing studios from what they were-fluorescent lights, white walls and hardwood floors-to the living rooms that they are today." The Los Angeles location has since added VIP lounges. Kellgren and Stone brought this same vision to their Los Angeles and Sausalito properties, adding a Jacuzzi and billiard table. The Record Plant in New York was the first studio to give recording artists a comfortable, casual environment rather than the clinical setting that was normal practice through the 1960s. The Los Angeles studio remains in operation. During the 1980s, they sold the New York and Sausalito studios the former closed in 1987, the latter in 2008. The studio was founded in 1968 in New York City by Gary Kellgren and Chris Stone, who opened a Los Angeles branch the following year and a Sausalito, California, location in 1972. More recent albums with songs recorded at Record Plant include Lady Gaga's ARTPOP, D'Angelo's Black Messiah, Justin Bieber's Purpose, Beyoncé's Lemonade, and Ariana Grande's Thank U, Next. Known for innovations in the recording artists' workspace, it has produced highly influential albums, including Blondie's Parallel Lines, Metallica's Load and Reload, The Eagles' Hotel California, Fleetwood Mac's Rumours, Eminem's The Marshall Mathers LP, Guns N' Roses' Appetite for Destruction, and Kanye West's The College Dropout. The Record Plant is a recording studio established in New York City in 1968 and currently operating in Los Angeles, California. Los Angeles, California, US (1969–present) Sycamore Ave, Los Angeles, California 90038ģ21 W 44th St, New York City, New York 10036Ģ200 Bridgeway, Sausalito, California 94965 The former Record Plant studio in Sausalito, Californiaġ032 N.
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